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Here are all the paintings of Pater, Jean-Baptiste 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 19778 |
 |
A Country Festival with Soldiers Rejoicing |
1728
Oil on canvas
Mus??e du Louvre, Paris. |
| 20701 |
 |
A Country Festival with Soldiers Rejoicing (mk05) |
1728
Canvas 45 x 60 1/2''(114 x 154 cm)Reception picture for the Academie Royale de Peinture et de Sculpture Collection of the Academie Royale INV |
| 19776 |
 |
Flute Recital |
Oil on panel
The Hermitage, St. Petersburg. |
| 19777 |
 |
Gathering of Actors from the Italian Comedy |
Oil on canvas
Mus??e du Louvre, Paris.
|
| 20700 |
 |
Gathering of Actors from the Italian Comedy (mk05) |
Canvas 9 1/2 x 12 1/2''(24 x 32 cm)Bequest of Dr Louis La Caze 1869 M I |
| 29362 |
 |
Soldiers Setting out from the Etape |
mk65
Oil on panel
11x13 1/2"
|
| 29361 |
 |
Soldiers'Etape |
mk65
Oil on panel
11x13"
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| 19779 |
 |
Stopping at an Inn |
After 1728
Oil on canvas |
| 19780 |
 |
The Poet Roquebrune Breaks his Garter |
Oil on canvas
Schloss Sanssouci, Berlin. |
| 20702 |
 |
The Toilette (mk05) |
Canvas 18 1/2 x 15''(47 x 38 cm)Bequest of Dr Louis La Caze 1869 M I |
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| Pater, Jean-Baptiste
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| French Rococo Era Painter, 1695-1736
French painter and draughtsman. He was taught in Valenciennes by Jean-Baptiste Guid? (master 1697; d 1711) and also by his father, Antoine Pater (1670-1747), a sculptor whose portrait was painted by Antoine Watteau (Valenciennes, Mus. B.-A.), who was also a native of Valenciennes. He probably followed Watteau to Paris after the short stay that the latter made in Valenciennes around 1710. Pater thus became a pupil of Watteau. Watteau's difficult character led to Pater's dismissal. He then spent a few hard years on his own in Paris, before returning to Valenciennes around 1715 or 1716. He tried to work independently of the local corporation of St Luc, of which he was not a member; a number of comical legal difficulties ensued, and Pater returned to Paris in 1718. There he must have been in contact with Watteau, since he worked for some of the latter's clients, such as the dealers Pierre Sirois and Edm?-Fran?ois Gersaint, and the collector Jean de Jullienne. In the spring of 1721 the dying Watteau called Pater to him at Nogent, near Paris, apparently full of remorse for his previous attitude and wishing to instruct him in the basic tenets of his painting,
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